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Showing posts with label classic. Show all posts
Showing posts with label classic. Show all posts

April 5, 2009

IN THE AGE OF OBAMA, IS AMOS 'n' ANDY STILL "RACIST" OR WAS IT A COMEDY MILESTONE WORTH A SECOND LOOK?

Event Listing by Don Rose

On now until 4.26.09 is the 14th iteration of the UCLA Festival of Preservation, when the UCLA Film & Television Archive presents films preserved by its world-renowned preservation department. The Festival again offers a veritable mixture of the ancient and the modern, silent masterpieces and sound diversions, fictional shorts and full-length documentaries.

On tap for Monday April 6 is a double bill at the Hammer, starting with the first feature film by Amos 'n' Andy, once the biggest stars on radio.
Here is a description of the comedy duo and their film debut from the webpage http://www.cinema.ucla.edu/calendar/calendardetails.aspx?details_type=2&id=323:

Monday April 6 2009, 7:30PM ( Buy Ticket )
Preservation funded by Rich Correll
CHECK AND DOUBLE CHECK (1930) Directed by Melville Brown
By 1930, NBC's "Amos ‘n' Andy" was a radio phenomenon broadcasting six nights a week to over 30 million listeners. With interest bordering on a national craze, anticipation for the team's heavily promoted film debut was high. Photoplay predicted, "Fifty million Amos ‘n' Andy fans [would] mob the theaters to see their idols for the first time." Viewed three-quarters of a century later, the film offers an invaluable glimpse into the complex, indelicate racial dynamics of the Depression era. The film is also notable as the Hollywood feature debut of composer and bandleader Duke Ellington.
RKO. Producer:
William LeBaron. Screenplay: Bert Kalmar, J. Walter Ruben, Harry Ruby. Cinematographer: William Marshall. Editor: Claude Berkeley. Cast: Freeman F. Gosden, Charles J. Correll, Sue Carol, Irene Rich, Ralf Harolde. 35mm, 71 min.
































More info on Amos 'n' Andy and their first movie can be found at the website http://xroads.virginia.edu/~1930s/radio/amos/film/film.html, along with more photos and analysis. Here is a sample:

"I can recall walking past motion picture theaters and seeing signs promising to stop the movie and turn on the radio when it came time for the show." -Jack Benny

Although radio legend Jack Benny was discussing the popularity of the Amos 'n' Andy radio show in the above quote, one can only wonder what happened when Correll and Gosden's first (and last) feature film was being screened when the radio program came on. For the sake of the blackface duo, it is hoped theater owners stopped the projector and turned on the radio to remind fans why they had come to sit through this screen disappointment in the first place.

"Check and Double-Check", released in 1930 by RKO pictures, was a heavily promoted critical and commercial disappointment. Amos and Andy are actually secondary players in their own movie. According to Melvin Ely, producers feared that Correll and Gosden's fifteen minute radio shows would be difficult to carry a full-length feature and so, they supplemented the duo with a love triangle between three white people (including the son of Amos and Andy's former employer), a haunted house, and a missing will.

And here is the other classic movie on the bill for Monday:

December 24, 2008

TOP TWELVE CHRISTMAS SONGS OF ALL TIME (TLR LIST)

by Don Rose

In honor of the 12 days of Christmas (and of course the 12 disciples, and the fact that 12 is the last innocent year before the teen years kick in and many kids stop believing in, well, the power of believing), and in honor of the 12 hours after 12 noon that make up Christmas Eve on December 24 (12 + 12)), we humbly present the 12 songs that The LA Report considers the greatest Christmas tunes of all time (where "all time" means since the modern musical era began with Handy's "Memphis Blues" in 1912, which happens to be 12x8 years ago).

Now before you write in complaining or contributing (both of which we encourage): sure, there are hundreds of other Xmas ditties out there, and dozens of other great classic songs we could have chosen, but we at The LA Report feel the delightful dozen below stood out most. When we say "greatest" we mean that hard-to-define blend of concepts that mixes "most memorable", "most recorded/covered", "most played on radio", "most popular with a crowd of diverse people", and "most likely to be part of a desert-island dozen" if one had to pick only 12 tunes to live with on Gilligan's Island (once the Professor fashioned an iPod out of coconuts, of course).

Next to each of the twelve tunes below is the person who did the version we like best. Here goes:

WHITE CHRISTMAS (Bing Crosby)
BLUE CHRISTMAS (Elvis Presley)
ROCKIN AROUND THE CHRISTMAS TREE (Brenda Lee)
JINGLE BELL ROCK (Bobby Helms)
IT'S THE MOST WONDERFUL TIME OF THE YEAR (Andy Williams)
THE CHRISTMAS SONG (Nat King Cole)
THE CHIPMUNK SONG (Christmas Don't Be Late) (The Chipmunks & David Seville)
CHRISTMAS TIME IS HERE (Vince Guaraldi Trio)
HAVE YOURSELF A MERRY LITTLE CHRISTMAS (The Carpenters)
JINGLE BELLS (Frank Sinatra)
SLEIGH RIDE (Ventures)
HAPPY XMAS (War is Over) (John Lennon and Yoko Ono)

Any alternate/dissenting opinions out there? Write in and let us know: info@thelareport.com.